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Twentieth-century design

Understanding Knoll

Tulip tables and chairs, marble, dimensions and editions — choosing a Saarinen piece suited to the space and understanding its authenticity.

Intérieur design Knoll

The Tulip table is not an isolated object, but the heart of the Pedestal Collection designed by Eero Saarinen for Knoll. Round and oval tables, chairs with or without arms and stools share the same principle: eliminating the “slum of legs” to create a continuous, almost sculptural silhouette. Dimensions, tabletop and edition then make all the difference.

01
The Tulip family: tables, chairs and stools
Introduced in the late 1950s, the Pedestal Collection includes dining tables, coffee tables, Tulip chairs and stools. The central cast-aluminium base frees the legs and makes each piece appear to rise from the floor. Chairs are available with or without arms, with white or black shells and cushions in a variety of colours.
02
The most sought-after dimensions
For round tables, diameters of approximately 107, 120 and 137 cm are among the most common, seating four, four to six and six people respectively depending on use. Large oval tables are notably found at around 199 and 244 cm. Other dimensions exist; before purchasing, circulation around the table should be considered as carefully as seating capacity.
03
Carrara, Arabescato and other tabletops
Carrara has a light ground and generally restrained veining, while Arabescato offers more dramatic grey movement. Nero Marquina, Verde Alpi and other marbles create a stronger graphic presence. Knoll also produced laminate, wood and other stone tops. Every marble is unique: veining, thickness, edge profile and any restoration should be described precisely.
04
Marks, editions and restoration
On authentic recent production, the KnollStudio logo and Eero Saarinen’s signature are stamped beneath the base or tabletop depending on the model. On an older piece, a label may have disappeared or a base may have been repainted, so the absence of a mark is not conclusive on its own. The proportions of the base, mounting plate, fixings, tabletop and restoration history should also be examined.
Intérieur avec mobilier design
Key dates
1938
Hans Knoll establishes the company in New York, bringing European modernism to the United States.
1943–1946
Florence Schust joins the company and later becomes Florence Knoll; her architectural approach shapes the identity of the house.
1948–1952
Saarinen creates the Womb Chair, while Harry Bertoia develops his celebrated wire-mesh seating.
1958
Knoll introduces Saarinen’s Pedestal Collection: Tulip tables and seating become icons of modern design.

The gallery regularly offers round and oval Tulip tables, chairs and other Knoll pieces, with precise descriptions of dimensions, marble and restoration.

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